Link catre SONY Proffesional - FX9

 

[RO]

Creativitate Full-frame
Alegeti sa inchiriati noua camera de la SONY, FX9 si veti realiza materiale 4K minunate folosind libertatea oferita de senzorul full-frame de rezolutie inalta. Capturati fiecare detaliu al cadrului cu profunzime de suprafata al campului si un superb buchet, pentru un adevarat aspect cinematic. Range dinamic cu mai mult de 15 pozitii si Dual Base ISO pentru a captura fiecare nuanta, de la detaliul subtil al umbrei pana la specular highlights, cu o paleta imaculata de culori.


Capturand imposibilul
Fii sigur ca imaginea este clara cand Fast Hybrid AF intra in lucru si urmareste subiectul cu o uimitoare viteza, precizie si finete. Impactul lui transforma intr-un material premium documentarul, spotul comercial sau aplicatii ale evenimentului. Abilitatea de a captura precis expresia subiectului este si mai mult imbunatatita cu unicul Eye Auto Focus de la Sony.

 

Filmeaza in confort, largeste-ti orizontul
FX9 este disponibil pentru inchirere si va revolutiona cinematografia full-frame cu peerless ergonomics si tehnologie avansata pentru filmare on-the-go. Primul filtru ND variabil full-frame electornic din lume transforma posibiliatatile de filmare in conditii de iluminare variabila. Wi-Fi integrat si suportul pentru 12G-SDI ofera solutii avansate, iar extensia XDCA-FX9 dezvolta si mai mult posibilitatile operationale ale lui PXW-FX9.


Senzor 6K Full-Frame "Exmor R" pentru imagine uimitoare
Senzorul full-frame 6K ofera calitate superba in DCI 4K, Ultra HD si HD. Procesare puternica a imaginii cu debayering si oversampling asigura o calitate a imaginii peste limitele senzorilor conventionali Super 35 mm. Senzorul CMOS cu iluminare de fundal foloseste de asemenea tehnologia Sony Exmor R pentru o sensibilitate imbunatatita si noise reduction. Comparat cu un senzor 4K Super 35-mm, senzorul 6K al lui FX9 are de doua ori mai mare suprafata de lucru in timp ce ofera un unghi mai larg de vizualizare si o profunzime a campului de suprafata.

 

Plaja dinaminca fenomenala de peste 15 pozitii pentru o infinitate de expresii
FX9 ofera o plaja dinamica exceptionala de peste 15 pozitii, peste abilitatea unei fiinte umane, oferind o libertate creativa de neprecedat in gradientul de culoare si post. Operatorii se pot concentra pe incadratura cat timp FX9 se ocupa sa captureze fiecare nuanta si detaliu folosind formatul 4K 4:2:2 10-bit sau 16-bit RAW extern. Pentru procesare, se pot gasi culori si detalii peste abilitatile vizuale ale unui operator, astfel incat sa fie capturata esenta cadrului.


Dual Base ISO pentru imagini uimitoare in orice iluminare
FX9 este configurat cu ISO 800, oferind valori optice dinamice potrivite majoritatea aplicatiilor de documentare, cum ar fi cele din exterior sau interioarelor puternic luminate. Un al doilea sistem secondar, ISO 4000, exceleaza in conditii de iluminare slaba cum ar fi inceputul unei dimineti si asfinitul, in timp ce pastreaza o calitate superba a imaginii.

 

Pachetul de inchiriere al camerei video SONY pXW - FX9 include:

- camera video FX9

- case pentru transport

- acumulatori

- charger

- carduri

 

[EN]

Full-frame creativity
Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette.

 

Capturing the impossible
Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.*

 

Shoot in comfort, expand your horizons
The FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs, and more with yet more advanced features still to come.

 

6K Full-Frame "Exmor R" sensor for stunning picture quality
The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

 

Phenomenal 15+ stops dynamic range for limitless expression
The FX9 offers an exceptional 15+ stops of dynamic range—beyond the normal range of human perception—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.


Dual Base ISO for stunning images in any light
The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions.

 

Cinematic color science with S-Cinetone™
S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.

 

Accelerate your workflow with User 3D Luts and HLG*
User Created 3D LUTs make it easy to customize FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.

Sony PXW - FX9

  • Important Note: FX9 is available from Sony as four SKUs. PXW-FX9V (without lens) and PXW-FX9VK (with lens) support both 5 Ghz and 2.4 Ghz Wi-Fi. PXW-FX9T (without lens) and PXW-FX9TK (with lens) support 2.4 GHz Wi-Fi. Availability is determined by country/regional regulations.

    Mass

    Approx 4.41 lb (body only)
    Approx. 10.58 lb (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, handle, mic holder)

    Dimensions (W x H x D)

    5.75 × 5.61 × 9.02 in (body without protrusions)

    Power Requirements

    DC 19.5V

    Power Consumption

    Approx. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

    Operating Temperature

    0°C to 40°C
    32°F to 104°F

    Storage Temperature

    -20°C to +60°C
    -4°F to +140°F

    Battery Operating Time

    Approx. 54 min. with BP-U35 battery
    (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

    Approx. 108 min. with BP-U70 battery
    (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

    Recording Format (Video)
    [XAVC Intra]

    XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264

    XAVC-I DCI4K 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264

    XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264

    XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264

    XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264

    XAVC-I DCI4K 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264

    XAVC-I QFHD 59.94p mode: VBR, MAX bit rate 600 MBps, MPEG-4 AVC/H.264

    XAVC-I QFHD 50p mode: VBR, MAX bit rate 500 MBps, MPEG-4 AVC/H.264

    XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 MBps, MPEG-4 AVC/H.264

    XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 MBps, MPEG-4 AVC/H.264

    XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 MBps, MPEG-4 AVC/H.264

    XAVC-I HD 59.94p mode: CBG, MAX bit rate 222 MBps, MPEG-4 AVC/H.264

    XAVC-I HD 50p mode: CBG, MAX bit rate 223 MBps, MPEG-4 AVC/H.264

    XAVC-I HD 59.94i/29.97p mode: CBG, MAX bit rate 111 MBps, MPEG-4 AVC/H.264

    XAVC-I HD 50i/25p mode: CBG, MAX bit rate 112MBps, MPEG-4 AVC/H.264

    XAVC-I HD 23.98p mode: CBG, MAX bit rate 89MBps, MPEG-4 AVC/H.264

    Recording Format (Video)
    [XAVC Long]

    XAVC-L QFHD 29.97p/25p/23.98p mode: VBR, MAX bit rate 100 MBps, MPEG-4 H.264/AVC

    XAVC-L QFHD 59.94p/50p mode: VBR, MAX bit rate 150 MBps, MPEG-4 H.264/AVC

    XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode: VBR, MAX bit rate 50 MBps, MPEG-4 H.264/AVC

    XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode: VBR, MAX bit rate 35 MBps, MPEG-4 H.264/AVC

    XAVC-L HD 59.94i/50i mode: VBR, MAX bit rate 25 MBps, MPEG-4 H.264/AVC

    Recording Format (Video)
    [MPEG-2 Long GOP]

    MPEG2 HD422 mode: CBR, MAX bit rate 50 MBps, MPEG-2 422P@HL

    Recording Format (Audio)

    LPCM 24 bits, 48 kHz, 4 channels

    Recording Frame Rate

    [XAVC Intra]
    XAVC-I DCI4K mode: 4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P
    XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
    XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
    [XAVC Long]
    XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
    XAVC-L HD 50 mode: 1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    XAVC-L HD 35 mode: 1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    XAVC-L HD 25 mode: 1920 x 1080/59.94i, 50i
    [MPEG-2 Long GOP]
    MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25P

    Recording/playback Time
    [XAVC Intra]

    XAVC-I DCI4K/QFHD 59.94p
    When using QD-G128A (128 GB): Approx. 22 minutes
    When using QD-G64A (64 GB): Approx. 10 minutes

    XAVC-I DCI4K/QFHD 50p
    When using QD-G128A (128 GB): Approx. 26 minutes
    When using QD-G64A (64 GB): Approx. 13 minutes

    XAVC-I DCI4K/QFHD 29.97p
    When using QD-G128A (128 GB): Approx. 43 minutes
    When using QD-G64A (64 GB): Approx. 21 minutes

    XAVC-I DCI4K/QFHD 25p
    When using QD-G128A (128 GB): Approx. 52 minutes
    When using QD-G64A (64 GB): Approx. 25 minutes

    XAVC-I DCI4K 24p
    When using QD-G128A (128 GB): Approx. 54 minutes
    When using QD-G64A (64 GB): Approx. 26 Minutes

    XAVC-I DCI4K/QFHD 23.98p
    When using QD-G128A (128 GB): Approx. 54 minutes
    When using QD-G64A (64 GB): Approx. 26 Minutes

    XAVC-I HD 59.94p
    When using QD-G128A (128 GB): Approx. 57 minutes
    When using QD-G64A (64 GB): Approx. 28 Minutes

    XAVC-I HD 50p
    When using QD-G128A (128 GB): Approx. 57 minutes
    When using QD-G64A (64 GB): Approx. 27 minutes

    XAVC-I HD 59.94i/29.97p
    When using QD-G128A (128 GB): Approx. 105 minutes
    When using QD-G64A (64 GB): Approx. 53 minutes

    XAVC-I HD 50i/25p
    When using QD-G128A (128 GB): Approx. 105 minutes
    When using QD-G64A (64 GB): Approx. 53 minutes

    XAVC-I HD 23.98p
    When using QD-G128A (128 GB): Approx. 130 minutes
    When using QD-G64A (64 GB): Approx. 65 minutes

    Recording/playback Time
    [XAVC Long]

    XAVC-L QFHD 29.97p/25p/23.98p
    When using QD-G128A (128 GB): Approx. 125 minutes
    When using QD-G64A (64 GB): Approx. 62 minutes

    XAVC-L QFHD 59.94p/50p
    When using QD-G128A (128 GB): Approx. 86 minutes
    When using QD-G64A (64 GB): Approx. 42 minutes

    XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
    When using QD-G128A (128 GB): Approx. 225 minutes
    When using QD-G64A (64 GB): Approx. 110 Minutes

    XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
    When using QD-G128A (128 GB): Approx. 305 minutes
    When using QD-G64A (64 GB): Approx. 150 minutes

    XAVC-L HD 25 59.94i/50i
    When using QD-G128A (128 GB): Approx. 410 minutes
    When using QD-G64A (64 GB) approx. 200 minutes

    Recording/playback Time
    [MPEG-2 Long GOP]

    MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
    When using QD-G128A (128 GB): Approx. 220 minutes
    When using QD-G64A (64 GB): Approx. 105 minutes

    Recording Format (Proxy Audio)

    XAVC Proxy: AAC-LC, 128 kbps, 2 channels

    Recording Format (Proxy Video)

    XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
    1920 × 1080, 9 MBps
    1280 × 720, 9 MBps
    1280 × 720, 6 MBps
    640 × 360, 3 MBps